Tuesday, 28 October 2025

Bad Company Tribute Album.


WHO REALLY NEEDS THIS?
 
There are some things that happen that really make very little sense to me. The idea that I might want an album of cover versions by any particular artist or group is one of them. I can understand why someone might want to cover a song on their album, like Five Finger Death Punch covered 'Bad Company' a few years ago (2009), and they played it 'live' too. It's on YouTube. That's just one example, there are many others, but a whole album of Bad Company covers?
Really?
 
I've no clue whose idea this was, or what Bad Company fan would actually want this, when they can play the original songs. It is true that sometimes a cover can in fact be better liked than the original version. I love Johnny Cash covering Nine Inch Nail's 'Hurt'. It's a great example, I like the NIN version too, but the Cash one is amazing. A real step up. That's not the case here. The covers here are of passing interest (to me), and once heard, do I really need to repeat play them? No.
 
I actually did think about this, and do I have an album of songs from any one original group as covers, and the answer was no, not when they are basically just straight rips of the originals, simply performed by someone else, who for the most part I've not heard of, or don't really care that much about. Okay some of these have a 'slight' twist, but no one here has really 'made it their own'. It's not like Brown Sabbath doing the Black Sabbath covers, or Sam Yahel's 'Jazz Side Of The Moon', which offer pretty radically different interpretation of the songs. So, I hope this does well, and whoever buys it likes it, but it's not for me - and what on earth is 'All Right Now' doing on here?? Maybe this will bring some new fans to Bad Company from the camps of the other artists, okay, I get that, but personally I don't need this at all. 
 
And as for the so called 'Rock 'n Roll Hall Of Fame', let's not even go there. I hope Paul and Simon have a really great time (Bad Company do their 'RRHOF' thing next week, and it'll be on YouTube soon I'm sure), but some of the stuff already 'inducted' is just slop. So again, it's just not for me, but I understand why some people like the idea.

Then even more weirdly here, all of the songs are up 'for your pleasure' on Youtube. So to hear them you don't have to buy the album! A good thing I think. So I'd suggest you save your money, and invest your curiosity with the links below, for free. 
 
Links for the named song SHOULD take you to that individual song. How long they will be active for I can't say, but right now all the links work. Enjoy?
 
 
 
 
 
 
 
 
 
 

Thursday, 23 October 2025

WIN 'The Free Story' on vinyl or double CD.

Okay, only a week left to go if you want to enter the competition that was set inside issue #180. This is open to all subscribers, and the draw will take place next Friday (31st Oct) with prizes being mailed to the winners on the following Monday (3rd November).
 
First out of the hat gets the choice of either the German 2LP vinyl 'Free Story' set, that includes the Toby version of 'Travelling Man', or the 2CD Australian issue of the compilation (including the 'live' version of 'Heartbreaker' recorded at Portsmouth Guildhall in 1971). 

Winners will be notified, and also congratulated here after the draw has taken place. 

Good luck.

Monday, 13 October 2025

Mike Hall – Before Midnight


Mike Hall is best known as the front man of Newcastle band After Midnight (aka Classic Clapton). He has just written a book about his early life. It is entitled “Before Midnight”.
 
It is about growing up in the 50s, 60s and 70s in northeast England where he developed a love for music and in particular for the guitar, as played by his heroes Paul Kossoff and Eric Clapton. During this period he saw some amazing bands including the Beatles, Free, Back Street Crawler, Cream, Taste, Savoy Brown, Jethro Tull, Blodwyn Pig, Skid Row, Bakerloo, Fleetwood Mac, Delaney & Bonnie, Derek & the Dominos, Eric Clapton and many more.
 
These gigs and some legendary north east venues are described including Newcastle City Hall, Club a’GoGo, Sunderland Locarno (Fillmore North) and many others. The first chapter is about Mike and his friends seeing Cream play at Club a’GoGo in 1967. 
 
The release of the Island sampler album You Can All Join In was major event for him, especially hearing Free’s I’m a Mover. The first time he saw Free live in 1969 in a half-empty Durham Town Hall had a profound effect on him and from then on Free became his favourite live band. He later saw them many times at Dunelm House, Sunderland Locarno (including the night they recorded Free Live!), Manchester University, Newcastle City Hall and Newcastle Mayfair Ballroom and these gigs are all described in detail.
 
Mike also describes the final time he saw Paul Kossoff perform with Back Street Crawler at Newcastle City Hall in November 1975, just a few months before Paul tragically died.
 
Mike’s teenage years included forming his first band at school. In the 70s and early 80s he regularly played with other north east bands. This book covers the period up to 1985 when Mike formed After Midnight after being inspired by Eric Clapton’s performance at Live Aid. For the next 40 years Mike performed at all kinds of venues throughout the UK and abroad, including Glastonbury Festival in 2002. In 1986 he played a set of Free covers at the first Free Convention at Leeds University along with two musicians he had just met. Also on the bill were Beckett, Terry Slessor and Arthur Ramm who kindly allowed Mike to have his photo taken with Paul Kossoff’s Les Paul.
 
In 1987 Mike was influential in moving the Free Convention further north, nearer Newcastle/Sunderland where Free had always received their most fanatical support. Mike jointly organised the second Free Convention at the Park Hotel, Tynemouth with his band After Midnight performing a set of Free covers. It was a huge success with several hundred Free fans packing out the venue. Mike continued to be involved with the Free Convention for several more years and got to perform with Terry Slessor and John ‘Rabbit’ Bundrick.
 
Free remain Mike’s favourite live band and he has continued to include numerous Free covers in the After Midnight set since they began in 1985.

Throughout his musical career Mike accumulated countless memories which are vividly described in his book.

To buy the book you can go to Amazon books and search for – 

“Mike Hall Before Midnight”.  (Paperback £14.99, Kindle £4.99).

We hope some of you will enjoy it.

https://www.amazon.co.uk/Before-Midnight-Memoirs-Guitarist-Early/dp/B0FFNFFG6J/ref=tmm_pap_swatch_0


Sunderland Echo piece (October 12th, 2025)

Monday, 15 September 2025

Free Appreciation Society Magazine - Issue #180

 

Free Appreciation Society
Magazine Issue #180
October 2025

 

The first of three issues dealing with the end of Free, and all the concluding release history (that is of real interest) up to the present day.

Here we look at the final dissolution of the group in late 1973, the announcement of 'The Free Story' release, and all the variations thereof. This issue also includes the release of 'First Water' by Sharks as Andy Fraser jumps ship, and the debut solo albums by Paul Kossoff and John 'Rabbit' Bundrick, while Tetsu moves on to join (The) Faces. Stray Dog also get referenced. In the meantime, slowly and quietly Paul Rodgers and Simon Kirke move on to their new project with Mick Ralphs, that will be announced in 1974 as Bad Company.

Lots of press included for all these original releases, and a really close look at all the different versions of 'The Free Story' issues worldwide. With and without 'Limited Edition' numbers. With and without the inner booklet. With and without the inner sleeves. With and without the Toby version of 'Travelling Man'! The UK, Ireland, Italy, Germany, Australia, New Zealand, Japan, Canada and Malaysian releases are included with full information on re-issues, and any changes made in different release territories. You will be surprised by how complicated, and varied, the history of 'The Free Story' set really is!

There's a competition for all FAS subscribers in this issue to win copies of the German 2LP and Australian 2CD 'Free Story' sets. You'll find the details and question on page 2 (the intro page). Closing date for entries, via email or letter, is October 31st. Only one entry per person please, and pick which of the two prizes you prefer. First out of the hat will get their choice. Second will get the other item. Remember to include your full name and address. The winner will be announced here on November 1st, when the prizes will then be mailed out to them. Best of luck. 

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It is cheaper to buy directly here (from the FAS itself) than it will be on Ebay, where there are other fees involved for both UK and overseas buyers. ALL payments are via Paypal, so it's all very easy and secure. Casual buyer? Want the magazine cheaper? Get a subscription! A subscription is the cheapest way to get the FAS magazine. For subscription information email: fasarticle@aol.com

You can buy this individual issue from the email address above. Total is £7.50 via Paypal for the UK, a three issue subscription is £19.10

Overseas it's £26 (via Paypal). Buying from the FAS directly should save you on customs charges, and fees, now levelled directly via Ebay, which will not be added here as items will be sent as 'letters'.

Drop me a mail giving your location and a Paypal money request will be sent to you. It's cheaper than buying them on Ebay where the fees add up making this issue almost £8 in the UK, and way more overseas as they now add taxes to the total. So;

UK single issue £7.50 (Paypal)

Overseas single issue £9.80 (Paypal)

A subscription for three issues (UK) is £18 (£19.10 via Paypal)

A subscription for three issues overseas is £26 (via Paypal).

Sunday, 14 September 2025

Happy Birthday Koss

Paul would have been 75 today, and these birthdays and anniversaries seem to come around fast these days. It's sad that he's not here to celebrate his birthday with friends and family, but we can mark the day for him by just spending a little time playing some of his music. While we do that, he lives through the musical legacy he left.

In 2019 I posted the audio from an unreleased single test pressing. I'm sure there are people that haven't been back far enough into the blog achive to hear it, so I've pulled that posting back up, and will put it here. The text explaination is below, followed by the audio.
 
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Below for your enjoyment is the unreleased single version of 'All The Girl's Are Crazy' from a single sided test pressing I have. The flipside ('Stealing My Way') also comes on its own 1-sided 7" test disc. That's as far as it ever got.

This was due to be released by Island Records, and on the back of the sleeve the WIPX-1389-2M number is indeed Island catalogue. This test pressing, mastered at Sterling Sound, was made on 20th May 1975 it appears. Of course Back Street Crawler went on to be signed to Atlantic/Atco and so this never came out. It's a different mix, somewhat rougher than the one on the 'Band Plays On' album, and it has a different vocal along with some alternate guitar. It's very nice, and you won't have heard this version anywhere else before. Koss is in fine form here, and there's some great playing. So turn it up and enjoy. 
 
Happy Birthday Paul. We miss you.

 

Sunday, 7 September 2025

FAS #180 coming soon.

FAS #180 keeps us ahead of the game again. While it may be the October issue, these should be going out into the mail around the 15th of September. However, given the current state of Royal Mail (I seem to get post MAYBE twice a week now, in huge piles), it may be good to get this into the post a couple of weeks before it's actually due! No point holding on to this when it's done and ready to go. All the info will be up here the day the UK issues go into the mail.

Sunday, 31 August 2025

Winner of #179 Competition

The copy of the 70s mint condition, and still factory-sealed, 8-track 'Heartbreaker' tape goes to Addy Adams in West Yorkshire. 

So congratulations go to him, as does the tape.

Commiserations to those who entered but didn't win this time.

The question?
In which country was 'Wishing Well' re-titled 'Best/Good Wishes'? 
 
The answer to this competition was Venezuela, and this information was included in FAS #178 (P42)
 
There will be another competition for subscribers in issue #180 with copies of 'The Free Story' Australian 2CD set, and the German 2LP set WITH the Toby version of 'Travelling Man' up for grabs.